Iskold  2014

various max. 70cm

Series An Architecture of Slow Light has been developed and executed in early 2015.

Images inspired by Nordic design and architecture. All works are best viewed in their ambient light as effects are more dynamic and complex as one moves across and about the work.

These sculptures are on cut Stonehenge or Hahnemuhle paper (some embossed). The colours that are visible are all a result of reflection and refraction of underpainting. The papers are, in fact, all white.

The glacial finger sculptures are best viewed from a hanging position slightly above the floor or a white platform. More vibrance and colour is generated when underlit by a battery powered LED. The shards sculptures sit on a plinth or other white surface.